Lieke Lenaerts1 Niels Hendriks2 Andrea Wilkinson3 Cover Image

Development of a Handover Approach in Design for Dementia

Authors: Lieke Lenaerts, KU Leuven; Niels Hendriks, Dr., (Promotor), LUCA School of Arts – KU Leuven; Andrea Wilkinson, Dr., (Co-promotor), LUCA School of Arts – KU Leuven

Supervisors: Niels Hendriks, Dr., (Promotor), LUCA School of Arts – KU Leuven; Bart Geerts, Dr., (Co-promotor), LUCA School of Arts – KU Leuven; Andrea Wilkinson, Dr., (Co-promotor), LUCA School of Arts – KU Leuven; Rita Maldonado Branco, Dr., University of Minho; Rens Brankaert, Dr., Eindhoven University of Technology

Research stage: Initial doctoral stage

Category: Extended abstract

The need for a handover in design for dementia

To design products for people living with dementia 1 (PLWD), designers have to foster an understanding for the PLWDs experiences 1. The involvement of PLWD in the design process enables designers to establish a deep designer-user relation resulting in a more successful outcome 2, 3. However there are limitations to their involvement; the vulnerability of PLWD, impairments of dementia, the lack of empathy of the designer… 4, 5. These limitations can result in an unbalanced designer-user relation that can burden PLWD 6, 7, 8. In addition, literature suggests that including PLWD in the design process requires an additional investment in time and resources 9, 10, 11 .

Although the inclusion of PLWD should always be considered, handover approaches are needed when it’s hard to include PLWD in the design process, or in times when contact with PLWD is denied (e.g. Covid-19). There are existing means (e.g. marketing data, quantitative reports, stereotype interpretations about PLWD) to communicate about PLWD to designers, but giving them little understanding into the lives of PLWD 12, 13. The aim of the doctoral research is to develop accessible handover approaches to transfer the experiences from PLWD, to members of the design team who are unable to meet PLWD.

Ethnographic research and literature review

The doctoral research started with ethnographic research and a literature study to provide a framework for the creation of handover approaches. PLWD were visited on a weekly basis within different contexts (e.g. at home, a day care center, a care home; from early diagnosis to more advanced stages; elderly and people with young onset dementia). Through these interactions, observations and interviews, insights were gained into multiple aspects of the everyday life of PLWD. These lived experiences were visualized with illustrations providing moments of auto-ethnographic reflection.

Lieke Lenaerts1 Niels Hendriks2 Andrea Wilkinson3 fig1

Simultaneously literature was reviewed, focusing on relevant topics to the doctoral study (e.g. dementia, empathy in design, handover tools). Commonalities were identified with the insights from the ethnographic research. Both addressed several points of concern in the design of handover approaches mainly due to the diversity and complexity inherent to dementia. These concerns were categorised and three main challenges emerged;


1. The first identified challenge revolved around the influence of the designer on the transferred experience

The principal designer (i.e. the designer with experience with PLWD) has the task to develop a relation with PLWD and transfer these experiences to other members of the design team. The principal designer has to understand the structure of the design team in order to tailor the handover approach and represent PLWD at design-team meetings 14, 15. Since not all designers possess these skills, a challenge is deciding who will perform this task.
The differences between the PLWDs’ and the designers' experiences is an additional point of concern. Literature states that these differences can be largely overcome by creating an empathic understanding for PLWD 16, 17. However, experiences are dynamic and subjective phenomenons depending on the perception of the designer in the context 18. A designers’ look at dementia can mislead this interpretation 19. Using a handover approach, the original experiences of PLWD will be affected by the interpretation of the principal designer. How can the handover approach transfer experiences, as close to the original experience of the PLWD as possible?


2. The uniqueness of each experience with PLWD

A successful transfer of experiences is difficult to achieve 20, but transferring experiences with PLWD makes it even more challenging 21. During the weekly visits with PLWD an ‘uniqueness’ with each PLWD was perceived. The differences (e.g. personality, context, stage of dementia) between PLWD, turns every designer-user relation into an unique experience 22, 23, 24. The second concern deals with the uniqueness of each PLWD, opposite to the design of products for a wide user-group of PLWD. Should the handover approach transfer this uniqueness? Or would it be beneficial to generalize experiences with PLWD?

3. The search for approaches that are able to transfer these experiences

Which approaches support the transfer of experiences with PLWD from the principal designer to other designers? Future research will experiment with different media (e.g. literature, documentaries, video, storyboards, personas), and existing handovers; experience prototyping 25, handover meetings 26, ideation workshops 27, and the use of an external specialist 28. These existing approaches lack testing in the context of dementia. The only tool known to handover insights from PLWD to designers is the empathic handover approach 29, but further research is needed for this approach to be used in the design process of products with PLWD as the main user 30.

A framework for handover approaches

The initial research provides a framework that supports the design of ways to handover experiences with PLWD. In this paper the focus lies on the creation of a video installation, as a handover tool. This choice will be explained using the framework of the three challenges;

1. The influence of the designer on the transferred experience

A video installation was chosen to transfer the experiences from the principal designer during the ethnographic research. To stay as close to the original experience of the PLWD as possible, first an empathic understanding between the designer and PLWD was established by regular visits. Secondly, video footage without heavy alterations shows the original experience, opposite to illustrations visualizing an interpretation of an experience. And thirdly, a video can show the multiple sides of dementia instead of focusing on the stereotype interpretations often seen in the media. Instead of contributing to the stigma surrounding dementia 31, the aim of the video is to transfer insights into the lives of PLWD.

2. The uniqueness of each experience with PLWD

On the one hand the video can follow one PLWD. Literature suggests that when empathy is built towards one representative, this can lead to an empathic attitude towards the entire group 32. Designing for one results in an individual outcome, but often this outcome can be scaled to a wider group of PLWD 33, or the empathic attitude provides inspiration for more general products 34, 35, 36. On the other hand the video can generalize some similar aspects of the larger group of PLWD (e.g. user and care requirements) 37.
We chose a combination of the two; portraying the general aspects of dementia (e.g. stages, contexts, requirements), while recognising the personhood of each PLWD (e.g. personality, interests, aesthetics). Additionally by showing multiple PLWD in the video, the risk of confronting the viewer with one person that might evoke specific feelings, is avoided 39.

3. The search for approaches that are able to transfer these experiences

A video leaves room for flexibility to be used in many professional design contexts (i.e. number of designers, company atmosphere, product category) 40. The format can be easily integrated into the already existing design practice 41 or as part of existing handover approaches. Taking Covid-19 restriction into consideration, a video installation is suitable for both physical and online purposes.

Lieke Lenaerts1 Niels Hendriks2 Andrea Wilkinson3 fig2
Lieke Lenaerts1 Niels Hendriks2 Andrea Wilkinson3 fig3

CONCLUSION

In this paper a framework of three challenges was presented for the creation of handover approaches. In the future, we will focus on the creation of a video installation as a tool to handover unique experiences with PLWD. This installation is a concrete example to tackle the three concerns raised in the framework, and provides a materialisation of a handover to test in the professional design context and start a larger discussion on handover approaches.

Testing the video installation in the professional design context will serve as a basis for the creation of future handover approaches.

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