Aspects of Reformulating within Mozart's Music Design-driven Research, Emerging from Amadeus' Basso Continue and Cadenzas
Category: Keynote
#music & architecture
#perception vs. formulating
#historically informed reformulating
#copying old art as source for new tools
#reinventing 300years old methodes
#philology and musical translation
#musical notation vs. design
ENSEMBLE 1778
Tina Zajec, 1st violin
Vivijana Rogina, 2nd violin
Izak Hudnik, violoncello
Jernej Ivan, double bass
Annemarie Glavič, 1st flute
Meta Pirc, 2nd flute
Dalibor Miklavčič, piano & conducting
W. A. MOZART:
Sonata for Keyboard Instrument and Ensemble C maj KV278
Sonata for Keyboard Instrument and Ensemble C maj KV336
MOZART'S CONTEMPORARY (name revealed during the lecture):
Concerto for Fortepiano and Ensemble D major (Allegro con Spirito/Grazioso/Allegro)
Concerto for Fortepiano and Ensemble F major (2nd Mvt: Tempo di Minuetto)
Concerto for Fortepiano and Ensemble E-flat major (3rd Mvt. Presto)